{"id":384,"date":"2023-06-27T08:35:53","date_gmt":"2023-06-27T06:35:53","guid":{"rendered":"https:\/\/www.mediatech.sk\/yamahasupport\/?page_id=384"},"modified":"2023-07-12T15:14:18","modified_gmt":"2023-07-12T13:14:18","slug":"dm-2000-specifications","status":"publish","type":"page","link":"https:\/\/www.mediatech.sk\/yamahasupport\/dm-2000-specifications\/","title":{"rendered":"DM 2000 – Specifications"},"content":{"rendered":"\t\t
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Specifications<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tAccessories<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tBrochure<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tGeneral specifications<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t
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Characteristic<\/b><\/td>\nValue<\/b><\/td>\n<\/tr>\n
Internal Signal Processing<\/b><\/td>\n32-bit (Accumulator 58-bit)<\/td>\n<\/tr>\n
Sampling Frequency<\/b><\/td>\nInternal: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz\nExternal: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz\nNormal rate: 44.1 kHz -10% \u2013 48 kHz+6%\nDouble rate: 88.2 kHz -10% \u2013 96 kHz+6%<\/td>\n<\/tr>\n
Signal Delay<\/b><\/td>\nLess than 2.3ms CH INPUT to STEREO OUT (@Sampling frequency = 48 kHz)\nLess than 2.2ms CH INPUT to STEREO OUT (@Sampling frequency = 96 kHz)<\/td>\n<\/tr>\n
Fader<\/b><\/td>\nMotorized, touch sensitive: 100mm x 25<\/td>\n<\/tr>\n
Fader Resolution<\/b><\/td>\n0 \u2013 -96 dB (256 steps\/100mm) master faders\n+10 \u2013 -72 dB (256 steps\/100mm) other faders\n0 \u2013 -96 dB (256 steps\/100mm) stereo faders<\/td>\n<\/tr>\n
Total Harmonic Distortion<\/b><\/td>\nInput Gain = Min.:\nLess than 0.05% 20Hz to 20 kHz @+14dB into 600 W\nLess than 0.01% 1 kHz @+18dB into 600 W\nCH INPUT to STEREO OUT:\nLess than 0.05% 20Hz to 20 kHz @+14dB into 600 W\nLess than 0.01% 1 kHz @+18dB into 600 W<\/td>\n<\/tr>\n
Frequency Response<\/b><\/td>\n0.5,-1.5dB 20Hz \u2013 20 kHz @+44dB onto 600 W (@Sampling frequency = 48 kHz)\n0.5,-1.5dB 20Hz \u2013 20 kHz @+44dB onto 600 W (@Sampling frequency = 48 kHz)<\/td>\n<\/tr>\n
Dynamic Range (maximum level to noise level)<\/b><\/td>\n110dB typ. DA Converter (STEREO OUT)\n108dB typ. AD+DA (to STEREO OUT)<\/td>\n<\/tr>\n
Hum & Noise*<\/b><\/td>\nRs = 150W\nInput Gain = Max.\nInput Pad = 0dB\nInput Sensitivity = -60dB:\n-128dB Equivalent Input Noise (20Hz-20kHz)\n-94dB residual output noise. STEREO OUT STEREO OUT off.\n-94dB (98dB S\/N) STEREO OUT STEREO fader at nominal level and all CH INPUT faders at minimum level.\n-64dB (68dB S\/N) STEREO OUTPUT STEREO fader at nominal level and all CH INPUT faders at minimum level.<\/td>\n<\/tr>\n
Maximum Voltage Gain<\/b><\/td>\n74dB CH INPUT (CH1-24) to STEREO OUT \/ OMNI (BUS) OUT\n74dB CH INPUT (CH1-24) to OMNI (AUX) OUT (via pre input fader)\n74dB CH INPUT (CH1-24) to CONTROL ROOM MONITOR OUT (via STEREO bus)<\/td>\n<\/tr>\n
Crosstalk (@1 kHz)<\/b><\/td>\n80dB adjacent input channels (CH1-24)\n80dB input to output<\/td>\n<\/tr>\n
Power Requirements<\/b><\/td>\nU\/C 120V 300W 60Hz<\/td>\n<\/tr>\n
Dimensions<\/b><\/td>\nHeight: 257mm\nDepth: 810mm (with front pads)\nWidth: 900mm<\/td>\n<\/tr>\n
Net Weight<\/b><\/td>\n40kg<\/td>\n<\/tr>\n
Operating free-air temperature range<\/b><\/td>\n10-35 \u00b0C<\/td>\n<\/tr>\n
Storage temperature range<\/b><\/td>\n-20-60 \u00b0C<\/td>\n<\/tr>\n
Additional Information<\/b><\/td>\n*Hum & Noise are measured with a 6dB\/octave filter @12.7 kHz; equivalent to a 20 kHz filter with infinite dB\/octave attenuation.\n*Input Gain = Min.\n*Total Harmonic Distortion is measured with a 6dB\/octave filter @80kHz<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tLibraries<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t
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\n Library<\/b>\n <\/td>\n \n <\/td>\n \n Value<\/b>\n <\/td>\n <\/tr>\n
\n Effect libraries (EFFECT1-8)\n <\/td>\n \n Number of factory presets
Number of user libraries\n <\/td>\n 		\n 52 (EFFECT3-8: 43)
76\n <\/td>\n <\/tr>\n
\n Compressor libraries\n <\/td>\n \n Number of factory presets
Number of user libraries\n <\/td>\n 		\n 36
92\n <\/td>\n <\/tr>\n
\n Gate libraries\n <\/td>\n \n Number of factory presets
Number of user libraries\n <\/td>\n 		\n 4
124\n <\/td>\n <\/tr>\n
\n EQ libraries\n <\/td>\n \n Number of factory presets
Number of user libraries\n <\/td>\n 		\n 40
160\n <\/td>\n <\/tr>\n
\n Channel libraries\n <\/td>\n \n Number of factory presets
Number of user libraries\n <\/td>\n 		\n 2
127\n <\/td>\n <\/tr>\n
\n GEQ libraries (EQ1-6)\n <\/td>\n \n Number of factory presets
Number of user libraries\n <\/td>\n 		\n 1
128\n <\/td>\n <\/tr>\n
\n Surround Monitor libraries\n <\/td>\n \n Number of factory presets
Number of user libraries\n <\/td>\n 		\n 1
32\n <\/td>\n <\/tr>\n
\n Input patch libraries\n <\/td>\n \n Number of factory presets
Number of user libraries\n <\/td>\n 		\n 1
32\n <\/td>\n <\/tr>\n
\n Output patch libraries\n <\/td>\n \n Number of factory presets
Number of user libraries\n <\/td>\n 		\n 1
32\n <\/td>\n <\/tr>\n
\n Bus to stereo libraries\n <\/td>\n \n Number of factory presets
Number of user libraries\n <\/td>\n 		\n 1
32\n <\/td>\n <\/tr>\n<\/tbody>\n<\/table><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tAnalog Input Characteristics<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t
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Input Terminals<\/b><\/td>\n<\/td>\nGAIN<\/b><\/td>\nActual Load Impedance<\/b><\/td>\nFor Use With Nominal<\/b><\/td>\nInput level<\/b><\/td>\nConnector in<\/b><\/td>\n<\/tr>\n
Sensitivity*1<\/td>\nNominal<\/td>\nMax. before clip<\/td>\n<\/tr>\n
CH INPUT A\/B 1-24<\/td>\n0<\/td>\n-60dB<\/td>\n3K\u03a9<\/td>\n50-600\u03a9 Lines<\/td>\n-70dB (0.245mV)<\/td>\n-60dB (0.775mV)<\/td>\n-46dB (3.88mV)<\/td>\nA:XLR-3-31 type\n(Balanced)*2<\/td>\n<\/tr>\n
26<\/td>\n-16dB<\/td>\n<\/tr>\n
-26dB (38.8mV)<\/td>\n-16dB (0.123V)<\/td>\n<\/tr>\n
INSERT IN 1-24<\/td>\n10k\u03a9<\/td>\n600\u03a9 Lines<\/td>\n-6dB (388mV)<\/td>\n+4dB (1.23V)<\/td>\n+18dB (6.16V)<\/td>\nPhone Jack (TRS) (Balanced)*3<\/td>\n<\/tr>\n
2TR IN ANALOG 1(L,R)<\/td>\n10k\u03a9<\/td>\n600\u03a9 Lines<\/td>\n+4dB (1.23V)<\/td>\n+4dB (1.23V)<\/td>\n+18dB (6.16V)<\/td>\nPhone Jack (TRS) (Balanced)*3<\/td>\n<\/tr>\n
2TR IN ANALOG 2(L,R)<\/td>\n10k\u03a9<\/td>\n600\u03a9 Lines<\/td>\n-10dB (0.316V)<\/td>\n-10dB (0.316V)<\/td>\n+4dBV (1.58V)<\/td>\nRCA Pin Jack (Unbalanced)<\/td>\n<\/tr>\n
2TR IN DIGITAL 1(L,R)<\/td>\n–<\/td>\n–<\/td>\n-20dBFS<\/td>\n-20dBFS<\/td>\n-6dB (388mV)<\/td>\nOptical Connector (JEITA\nRC-5720C)<\/td>\n<\/tr>\n
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The table above represents the input terminals, gain settings, actual load impedance, use\ncompatibility, and input levels for various input channels of the device.<\/blockquote>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tAnalog Output Characteristics<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t
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Output\n Terminals<\/b><\/td>\n Actual Source\n Impedance (\u03a9)<\/b><\/td>\n For Use With\n Nominal (\u03a9)<\/b><\/td>\n GAIN SW<\/b><\/td>\n Output level<\/b><\/td>\n Connector in Console<\/b><\/td>\n <\/tr>\n
Nominal<\/b><\/td>\n Max. before clip<\/b><\/td>\n <\/tr>\n
Stereo Out (L,R)<\/b><\/td>\n 600<\/td>\n 10k Lines<\/td>\n –<\/td>\n -10dBV(0.316V)<\/td>\n +4dB(1.58V)<\/td>\n RCA Pin Jack (Unbalanced)<\/td>\n\n <\/tr>\n
150<\/td>\n 600 Lines<\/td>\n –<\/td>\n +4dB(1.23V)<\/td>\n +18dB(6.16V)<\/td>\n XLR-3-32 type (Balanced)*1<\/td>\n <\/tr>\n
STUDIO MONITOR OUT (L,R)<\/b><\/td>\n 150<\/td>\n 10k Lines<\/td>\n –<\/td>\n +4dB(1.23V)<\/td>\n +18dB(6.16V)<\/td>\n Phone Jack (TRS) (Balanced)*2 <\/td>\n <\/tr>\n
C-R MONITOR OUT LARGE (L,R)<\/b><\/td>\n 150<\/td>\n 600 Lines<\/td>\n –<\/td>\n +4dB(1.23V)<\/td>\n +18dB(6.16V)<\/td>\n XLR-3-32 type (Balanced)*1<\/td>\n <\/tr>\n
C-R MONITOR OUT SMALL (L,R)<\/b><\/td>\n 150<\/td>\n 600 Lines<\/td>\n –<\/td>\n +4dB(1.23V)<\/td>\n +18dB(6.16V)<\/td>\n XLR-3-32 type (Balanced)*1<\/td>\n <\/tr>\n
OMNI OUT 1-8<\/b><\/td>\n 150<\/td>\n 10k Lines<\/td>\n +18dB (default)<\/td>\n +4dB(1.23V)<\/td>\n +18dB(6.16V)<\/td>\n Phone Jack (TRS) (Balanced)*2<\/td>\n <\/tr>\n
+4dB<\/td>\n -10dB(0.245V)<\/td>\n +4dB(1.23V)<\/td> \n <\/tr>\n
INSERT OUT 1-24<\/b><\/td>\n 600<\/td>\n 10k Lines<\/td>\n –<\/td>\n +4dB(1.23V)<\/td>\n +18dB(6.16V)<\/td>\n Phone Jack (TRS) (Balanced)*2<\/td>\n <\/tr>\n
PHONES<\/b><\/td>\n 100<\/td>\n 8 Lines<\/td>\n –<\/td>\n 4mW<\/td>\n 25mW<\/td>\n Stereo Phone Jack (TRS) (Unbalanced)*3<\/td>\n <\/tr>\n
40 Lines<\/td>\n –<\/td>\n 12mW<\/td>\n 75mW<\/td>\n <\/tr>\n
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*1. XLR-3-32 type connectors are balanced. (1 = GND, 2 = HOT, 3 = Cold) *2. Phone jack are balanced. (Tip = HOT, Ring = COLD, Sleeve = GND) *3. PHONES stereo phone jack is unbalanced. (Tip = LEFT, Ring = RIGHT, Sleeve = GND)<\/blockquote>\n