Proven Head Amplifier Design

The DM1000 features mic preamp circuitry directly derived from the highly regarded DM2000 Digital Production Console, so you know you’re getting quality that’s approved by leading professionals throughout the world. These mic preamps are the result of extensive development and field testing, and deliver warm, transparent performance that rivals – and in many cases exceeds – that of the most expensive component microphone preamplifiers. 48-volt phantom power for condenser microphones is individually switchable for each input, and pad switches and detented trim controls facilitate optimum level matching with the source. To eliminate interference in the analog stage, the power transformer is located as far as possible from the head amplifier section inside the compact DM1000 body.

24-bit/96kHz Onboard AD/DA Conversion

All onboard A/D and D/A conversion – on all 16 microphone/line inputs, all four OMNI inputs, and all 12 OMNI outputs – makes use of the finest linear 24-bit, 128-times oversampling converters which have been directly derived from the DM2000. These no-compromise converters – delivering flat response from 20Hz to 40kHz at 96kHz, and 106dB dynamic range from A/D to D/A – ensure that you don’t lose any fine details or add any unwanted coloring in the process.

Full 48-channel Capacity up to 96kHz

photoLike the DM2000, 96kHz operation with 32-bit internal processing (58-bit accumulator) is standard in the DM1000 thanks to the latest and most powerful Yamaha DSP7 LSIs. We’re talking about 48 channels of transparent, super-dynamic, 24-bit/96kHz audio with flat response from 20Hz through 40kHz – performance you’d expect to find only in the biggest and most expensive “mega-consoles” in the business. And you can run at 44.1, 48, 88.2 or 96kHz without compromising the console’s processing capabilities.

Extraordinary Digital Patching Flexibility

All available physical inputs, channel inserts, effect returns, aux buses and program buses can be assigned to any of the console’s channels, aux buses, program buses or physical outputs via the DM1000’s remarkably versatile, easy-to-use digital patching system. You can even patch a single input to multiple channels, or a single bus to multiple output connectors. Patching via the graphic grid on the LCD panel is easy and efficient, or you can use the switches integrated into the encoders on each channel module. The Studio Manager software that comes with the console gives you a comprehensive graphical representation of your patch setup. Of course, patch setups you create can be stored in the patch library for instant recall whenever needed, and patch library memories can be linked to scene memories.

Top-quality Compression, Gating, EQ and Delay

All 48 input channels on the DM1000 feature the same advanced functions and features as the DM2000. There are flexible, independent compression and gating/ducking processors for dynamics control, 4-band parametric channel equalizers that offer extra versatility with switchable „type I“ or „type II“ EQ algorithms to deliver the response you prefer, and a channel delay with a maximum delay of 453 milliseconds. The equalizers offers particularly fine control with ±18dB gain control in 0.1dB increments, full frequency sweep from 20Hz to 20kHz, and 41-point variable Q on each band. There’s also surround pan for up to 6.1 mixes, stereo pan, and phase switching. All channel functions except gating are also provided on all 18 of the console’s (main, auxiliary, and stereo) output buses. An extensive list of preset EQ, Comp, and Gate „libraries“ are provided for fast, easy setup, and user libraries are available for storage and instant recall of your own setups. photo

Flexible 20-bus Configuration

The DM1000 has eight output buses, eight auxiliary buses, a stereo buss, and stereo solo bus for a total of 20 mix buses. Auxiliary buses 1 through 8 can also be used as standard mixing buses thanks to a „fix“ function that automatically sets all sends to nominal (0dB) level. Of course the auxiliary buses can be used as normal sends, or as sends to the console’s built-in surround effects. The eight main buses can also be used for 6.1 surround mixing. A „bus to stereo“ function that is ideal for creating submixes in sound reinforcement applications can also be used to downmix 6.1, 5.1, or 3-1 surround programs to stereo.

4 top-quality Multi Effect Processors Including Surround Effects

The DM1000 has four independent internal 24-bit/96-kHz stereo multi effect processors that can be used simultaneously either for Send/Return or Insert assignments. A comprehensive selection of reverb, delay, modulation, and combination effects are provided, plus a range of newly developed effects including multiband dynamics. In addition to stereo effects, the DM1000 features a number of effect programs specifically designed for surround applications, such as “Comp 5.1” and “Reverb 5.1”. (some surround effects use as four processors). An extensive range of detailed effect parameters are adjustable via easy-to-use graphic controls on the console’s LCD screen. Or, if you prefer, you can use the Studio Manager software to edit with color graphics on a larger computer screen. And, like most other parameter groups, an extensive preset “library” is provided for fast, easy setup. Of course, you can add your own setups to the user library for instant recall whenever needed.

100-millimeter Motor Faders with Master Touch
The DM1000 is equipped with 17 touch-sensitive 100-millimeter motorized faders featuring smooth, quiet operation and precision level control. Touch sensitivity means convenient automatic channel selection and automix overwrite. Channel faders can also be assigned as aux send level control via the Fader Mode button. Layer switching allows these 16 channel faders to control channels 1-16, 17-32, 33-48 or Master (Aux1-8 and Bus1-8). There are also two Remote Layers which can be assigned to control DAW systems such as Pro Tools®, Nuendo®, Logic Audio®, or any MIDI device. Using the „User Assignable Layer“ feature you can create a custom layer to which any channels can be assigned in a preferred layout, and the setups can be stored in any of four banks. This system means that you have a total of 96 channels and buses right in front of you in the space of 16. Instant switching of layers is a lot faster and easier than trying to locate a desired channel on a massive spread-out console. More importantly, all operations can be carried out without having to move away from the monitoring „sweet spot“.

Versatile Channel Pairing and Grouping Functions
In addition to being able to pair faders „horizontally“, corresponding faders in layers1 and 2 can be „vertically“ paired, allowing each physical channel fader to be used for stereo channel control. Up to 16 stereo channels can thus be controlled from a single layer with a whole list of linked parameters. With the DM1000 you can group faders and mutes from any selected input channels or output busses and store the settings in multiple banks. Furthermore, EQ and compressor parameter settings can be linked for simultaneous operation. The group and link functions are very convenient for various applications including sound reinforcement and surround production. An MS decoding function is also available for processing MS-pair microphone input.

Encoder Knobs
In addition to panning and auxiliary send level control, the integrated encoder/push-switches located above each fader can be used for a wide range of functions, selectable via the console, assign mode. You can customize the console for optimum operability in just about any application.

Intuitive „Selected Channel“ Interface
The Selected Channel controls are the „hands-on“ channel controls for the currently selected input and output channel, with analog-style buttons and knobs for direct access and control of essential parameters. The DM1000, Selected Channel control section includes Routing buttons, Channel EQ controls and a Joystick for surround panning.

User Defined Keys
DM1000 is equipped with 12 User Defined keys to which you can assign any of more than 200 functions. The assignments can be stored in 8 banks. You can, for example, directly recall scenes, mute surround monitors, or control automix, DAW, or tape transport functions.

LCD Panel, Display Access and Navigation Buttons
A centrally-located 320 x 240 dot LCD display with fluorescent backlighting displays all detailed DM1000 functions in a simple and comprehensive format. A total of 21 Display Access buttons are provided for instant access to desired display pages. A dedicated Data Entry section and function keys below the screen ensure comfortable, efficient navigation and editing.

Scene Memory and Control
Scene Memory capability is an essential element of modern digital mixing consoles. With the DM1000 you can take a snapshot of just about any mix, effect and patch setup and store it in any of 99 scene memories. There are also fade time, and recall safe functions which can be applied globally as well as individually for each channel.

Comprehensive Automation
The DM1000 features dynamic automation of virtually all mix parameters including levels, mutes, pan, surround pan, aux sends, aux send mutes, EQ and effects. Automix can be used to record a range of mixing events. You can also punch channels or parameters in and out on-the-fly, and edit parameters off-line with 1/4 frame accuracy. Remote layer operations, and Scene and library recall operations can also be automated, enabling you to create mix automation that combines snapshots and dynamic mix parameter changes. You can store up to 16 Automixes in the Automix Library. All Automix commands are accessible via the LCD screen, and can be assigned to the User Defined Buttons as required.

Reliable and Flexible Audio I/O’s

Balanced XLR connectors are provided for all on-board 32 analog inputs and outputs. There are 16 channel inputs with individually switchable phantom power, plus four OMNI IN’s. All 20 inputs feature XLR connectors with latches for maximum reliability, and these can be freely assigned to any internal channel – including the channel inserts. All 12 analog outputs are labeled „OMNI OUT“ and have +24dB maximum output level. The outputs are also freely patchable to any output of the internal mixer – stereo outputs, auxiliary outputs, channel insert outputs, bus outputs, or control room/monitor outputs, as required by your system. Two digital 2-track inputs and outputs with both AES/EBU and coaxial connectors are also provided. On-board sample rate conversion allows CD players and other digital sources connected to the digital input to be monitored or routed to an input channel without having to be synchronized to the system clock. OMNI IN 1/2, 3/4 can be assigned as analog 2-track inputs for direct connection to the monitor section.

Professional Control I/O’s

The DM1000’s 9-pin D-sub REMOTE connector is compatible with Sony P2 protocol video editor control, as well as remote control of Yamaha’s AD824 24-bit A/D converter unit. A 25-pin D-sub CONTROL connector provide access to the GPI (General Purpose Interface). Other Control Options include an XLR Connector for SMPTE time code input, independent word clock inputs and outputs, MIDI connectors, and a USB „to host“ connectors.

I/O Expandability and Cascade Capability

The DM1000 has two Mini-YGDAI expansion slots, each capable of 16 I/O channels, for a total of 32 additional freely configurable I/O channels. Whether you need digital I/O in ADAT, TASCAM, or AES/EBU format, or extra analog I/O capability at standard or higher sampling rates, the appropriate Mini-YGDAI cards are available. Apogee’s high-performance A/D and D/A cards are supported, as is the very powerful Waves Y56K effects plug-in card. Using the preferred digital I/O cards or OMNI I/O’s, you can cascade two DM1000’s to create a system that functions like one big console with integrated buses and linked functions.

Silent Cooling System

Attached on the left of the expansion slots is a heat sink that ensures rock-steady performance of DM1000 in continuous operation.

Built-in Visual Monitoring Features

All channel and bus signals can be accurately monitored via graphic meters on the console’s large LCD display panel. In addition to level metering the DM1000 provides gain reduction metering for the gate and compressor functions. A large 32-segment meter next to the console’s display provides precision visual monitoring of signals on the stereo bus.

MB1000 Meter Bridge

The MB1000 Peak Meter Bridge is a complete level-monitoring station for the DM1000. 16 12-segment level meters can be used to display pre-EQ, pre-fader, or post-fader input channel signal levels as well as auxiliary and bus levels. An additional eight meters display levels on the console’s main output buses. The MB1000 also features a time-code display that shows the time code or MIDI clock code being generated or received by the DM1000. When the DM1000 DAW remote layer is selected the MB1000 displays the value of the remote DAW channels.