Specifications
| Internal Signal Processing | 32-bit (Accumulator 58-bit) |
| Sampling Frequency | External: Normal rate 44.1 kHz -10% – 48 kHz +6% Double rate 88.2 kHz -10% – 96 kHz +6% |
| Signal Delay | Less than 1.6 ms CH INPUT to OMNI OUT (@Sampling frequency = 48
kHz) Less than 0.8 ms CH INPUT to OMNI OUT (@Sampling frequency = 96 kHz) |
| Fader | 100mm motorized with touch sense x 17 |
|
Total Harmonic Distortion *
Input Gain=Min. |
CH INPUT to OMNI OUT Less than 0.05% 20 Hz to 20 kHz @+14 dB into 600 Ω Less than 0.01% 1 kHz @+24 dB into 600 Ω (@Sampling frequency = 48 kHz) Less than 0.05% 20 Hz to 40 kHz @+14 dB into 600 Ω Less than 0.01% 1 kHz @+24 dB into 600 Ω (@Sampling frequency = 96 kHz) |
| Frequency Response | CH INPUT to OMNI OUT 0.5, -1.5 dB 20 Hz – 20 kHz @+4 dB into 600 Ω (@Sampling frequency = 48 kHz) 0.5, -1.5 dB 20 Hz – 40 kHz @+4 dB into 600 Ω (@Sampling frequency = 96 kHz) |
| Dynamic Range (maximum level to noise level) | 110 dB typ. DA Converter (OMNI OUT) 106 dB typ. AD+DA (to OMNI OUT) @fs=48 kHz 106 dB typ. AD+DA (to OMNI OUT) @fs=96 kHz |
|
Hum & Noise ** (20 Hz-20 kHz)
Rs=150 Ω Input Gain =Max. |
-128 dB Equivalent Input Noise. -86 dB residual output noise. OMNI OUT STEREO OUT off. -86 dB (90 dB S/N) OMNI OUT STEREO fader at nominal level and all CH INPUT faders at minimum level. -64 dB (68 dB S/N) OMNI OUT STEREO fader at nominal level and one CH INPUT fader at nominal level |
| Maximum Voltage Gain | 74 dB CH INPUT (CH1-16) to OMNI OUT (STEREO, BUS, AUX) (via STEREO bus) |
|
Crosstalk (@1 kHz)
Input Gain=Min. |
80 dB adjacent input channels (CH1-16) 80 dB input to output. |
|
|
| Power Requirements | CE: 20-240 V/135 W/50/60 Hz |
| Dimensions (W x D x H) | DM1000+MB1000+SP1000: 486 x 635 x 295 mm |
| Net Weight | DM1000: 20 kg, MB1000: 2 kg, SP1000: 2 kg |
| Operating free-air temperature range | 10 – 35 °C |
| Storage temperature range | -20 – 60 °C |
| LIBRARIES | Number of factory presets | Number of user libraries |
| Effect libraries (EFFECT1-4) | 52 (EFFECT2-4: 44) | 76 |
| Compressor libraries | 36 | 92 |
| Gate libraries | 4 | 124 |
| EQ libraries | 40 | 160 |
| Channel libraries | 2 | 127 |
| Surround Monitor libraries | 1 | 32 |
| Input patch libraries | 1 | 32 |
| Output patch libraries | 1 | 32 |
| Bus to stereo libraries | 1 | 32 |
| Number of Scene Memories | 99 | |
| Input Terminals | PAD | GAIN | Actual Load Impedance | Input level | Connector in Console | |||
| Sensitivity *1 | Nominal | Max. before clip | ||||||
| CH INPUT 1-16 | 0 | -60 dB | 3 kΩ | 50-600 Ω Mics & 600 Ω Lines | -70 dB (0.245 mV) | -60 dB (0.775 mV) | -40 dB (7.75 mV) | XLR-3-31 type (Balanced) |
| -16 dB | -26 dB (38.8 mV) | -16 dB (0.123 mV) | +4 dB (1.23 mV) | |||||
| 20 | -6 dB (388 mV) | +4 dB (0.23 mV) | +24 dB (12.28 mV) | |||||
| OMNI IN 1-4 | 10 kΩ | 600 Ω Lines | +4 dB (1.23 V) | +4 dB (1.23 V) | +24 dB (12.28 V) | XLR-3-31 type (Balanced) | ||
*1 Sensitivity is the lowest level that will produce an output of +4 dB (1.23V) or the nominal output level when the unit is set to maximum gain. (all faders and level controls are maximum position.) |
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| Output Terminals | Actual Source Impedance | For Use With Nominal | Output level | Connector in Console | |
| Nominal | Max. before clip | ||||
| OMNI OUT 1-12 | 150 Ω | 600 Ω Lines | +4 dB (1.23 V) | +24 dB (12.28 V) | XLR-3-32 type (Balanced) |
| PHONES | 600 Ω | 8 Ω Phones | 4 mW | 25 mW | Stereo Phone Jack (TRS) (Unbalanced) |
| 40 Ω Phones | 12 mW | 75 mW | |||
*1 XLR-3-32 type connectors are balanced. (1=GND, 2=HOT, 3=COLD) |
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| Terminals | Format | Data length | Level | Connector in Console | |
| 2TR OUT DIGITAL | 1 | AES/EBU | 24-bit | RS422 | XLR-3-32 type (Balanced) |
| 2 | IEC-60958 | 24-bit | 0.5 Vpp/75 Ω | RCA Pin Jack | |
| *1 XLR-3-31 type connectors are balanced. (1=GND, 2=HOT, 3=COLD) | |||||
| Terminals | Format | Data length | Level | Connector in Console | ||||||||||||
| 2TR OUT DIGITAL | 1 | AES/EBU *1 Professional use | 24-bit *3 | RS422 | XLR-3-31 type (Balanced) *4 | |||||||||||
| 2 | IEC-60958 *2 Consumer use | 24-bit *3 | 0.5 Vpp/75 Ω | RCA Pin Jack | ||||||||||||
| *1 | channel status of 2TR OUT DIGITAL 1 | type: linear PCM | emphasis: NO | sampling rate: depends on the internal configuration | ||||||||||||
| *2 | channel status of 2TR OUT DIGITAL 2 | type: linear PCM | category code: Digital signal mixer | copy prohibit: NO | ||||||||||||
| emphasis: NO | clock accuracy: Level II (1000 ppm) | sampling rate: depends on the internal configuration | ||||||||||||||
| *3 | dither: word length 16/20/24 bit | |||||||||||||||
| Terminals | Format | Level | Connector in Console | |
| TO HOST USB | USB | 0 V – 3.3 V | B type USB connector | |
| MIDI | IN *1 | MIDI | – | DIN Connector 5P |
| OUT | MIDI | – | DIN Connector 5P | |
| TIME CODE INPUT | SMPTE | Nominal | -10 dB/10 kΩ | XLR-3-31 type (Balanced) *2 |
| WORD CLOCK | IN | – | TTL/75 Ω | BNC Connector |
| OUT | – | TTL/75 Ω | BNC Connector | |
| CONTROL | – | – | D-SUB Connector 25P (Female) | |
| REMOTE | – | RS422 | D-SUB Connector 9P (Male) | |
| METER | – | RS422 | D-SUB Connector 15P (Female) | |
| *1 | MIDI IN can use as TIME CODE IN MTC. | |||
| *2 | XLR-3-31 type connectors are balanced. (1=GND, 2=HOT, 3=COLD) | |||